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How Parvathy Thiruvothu's Thriller Pradhama Drishtiya Kuttakkar Measures Against The Drishyam Benchmark

Indian Express•Published: Oct 14, 2026 08:20 AM IST
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How Parvathy Thiruvothu's Thriller Pradhama Drishtiya Kuttakkar Measures Against The Drishyam Benchmark
Following its recent OTT release, the Malayalam thriller 'Pradhama Drishtiya Kuttakkar' starring Parvathy Thiruvothu is facing intense scrutiny and inevitable comparisons to Jeethu Joseph's landmark 2013 film, 'Drishyam'. The film explores an intriguing premise where four police officers, including Aleena, attempt to cover up an accidental death at a station by using institutional knowledge to outwit investigators. However, unlike the meticulous and unflappable Georgekutty, the characters in this film react out of panic, leading to logical loopholes that viewers have been quick to point out.
  • Premise and Plot: Four police officers led by Aleena try to conceal an accidental custodial death using a crime book blueprint, attempting to stay ahead of the law.
  • Drishyam Comparisons: Viewers and critics have drawn sharp parallels to Georgekutty's calculated cover-up, highlighting differences in character composure and planning precision.
  • Director's Response: Director Shahad Nilambur welcomed the comparisons to Drishyam, viewing them as a testament to the iconic film's massive cultural impact on Indian cinema.

The Context & Background

Jeethu Joseph's 'Drishyam' set an exceptionally high standard for Indian suspense cinema by showcasing a civilian who cleverly anticipates police procedures through a love for movies. As audience scrutiny and expectations evolve, modern Malayalam thrillers face the daunting task of matching that airtight narrative precision and enduring legacy.

Why it matters:The continuous comparison of new Malayalam thrillers to Drishyam highlights how a single masterpiece can redefine audience expectations and genre benchmarks. It underscores the shifting demands of modern viewers who closely analyze narrative logic, timelines, and investigative realism rather than relying solely on surface-level twists.

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